Posts tagged fuji
My Fujifilm Recipes (2023)

If you know what Fuji “Recipes” are, you know.

If you don’t, here’s a video that explains it better than I could.


Stay Kodak Gold

  • Film Simulation: Classic Negative

  • Dynamic Range: 400

  • White Balance: Shade; Red: 3; Blue: -3

  • Color Chrome Blue: Strong

  • Color Chrome: Strong

  • Highlight Tone: -2

  • Shadow Tone: +2

  • Color: 0

  • Sharpness: +2

  • Clarity: -1

  • Grain: None, None (or Small, Strong)

  • Editing in Post: Increase or decrease contrast until satisfied


Stay Kodak Gold Ver. II

  • Film Simulation: Classic Negative

  • Dynamic Range: Auto

  • White Balance: Shade; Red: 3; Blue: -3

  • Color Chrome Blue: Weak

  • Color Chrome: Weak

  • Highlight Tone: -2

  • Shadow Tone: -2

  • Color: +2

  • Sharpness: +2

  • Clarity: -1

  • Grain: None, None (or Small, Strong)

  • Editing in Post: Increase or decrease contrast until satisfied


Diet Dr. Portra

I’ve personally found that the Fuji X Weekly “Portra” recipes tend to skew toward a sort of “Mountain Dew” yellow that just doesn’t match the results I get when shooting actual Portra 160, 400, and 800. The sky was also looking VERY green in a lot of photos I took with their recipe. I’m also admittedly not a fan of removing sharpness or adding grain in-camera — I would strongly prefer to do it later in Lightroom.

My goal with this recipe was to create something that would not look quite so out of place when I shared an image straight out of camera on Instagram next to countless photos taken on medium format and 35mm film.

  • Film Simulation: Classic Chrome — (If you want to return some of the warmth to the midtones without turning the sky green, use Provia instead of WB shift!)

  • Dynamic Range: 200 or 400

  • White Balance: Direct Sunlight (5500K); Red: +2; Blue: -2

  • Color Chrome Blue: Weak

  • Color Chrome: Strong

  • Highlight Tone: 0

  • Shadow Tone: -2

  • Color: +4

  • Sharpness: +2

  • Clarity: -2

  • Grain: None, None (or Small, Strong)

  • Editing in Post: Increase or decrease contrast until satisfied

My Fujifilm Recipes

If you know what Fuji “Recipes” are, you already know.

If you don’t, here’s a video that explains it better than I could.

As for Nikon users, I’ve come up with something similar that might interest you.


Superia Family

( This is the preset I use 99% of the time on my X100V. )

  • Film Simulation: Classic Negative / Nostalgic Negative

  • Dynamic Range: Somewhere between 100 and 400, you choose

  • White Balance: Auto; Red: 3; Blue: 5 (Classic Negative) Red: 3; Blue -5 (Nostalgic Negative)

  • Color Chrome Blue: Strong

  • Color Chrome: Strong

  • Highlight Tone: -2

  • Shadow Tone: +2

  • Color: -3

  • Sharpness: +2

  • Clarity: -4

  • Grain: None, None (or Small, Strong)

  • Editing in Post: (optionally) shift the green in the shadows to more of a blue


CineStill 800T

  • Film Simulation: Eterna

  • Dynamic Range: 400

  • White Balance: Fluorescent Light 3; Red: -6; Blue -4

  • Color Chrome Blue: Strong

  • Color Chrome: Strong

  • Highlight Tone: 0

  • Shadow Tone: +2

  • Color: +4

  • Sharpness: 0

  • Clarity: 0

  • Grain: Large, Strong


Not Quite Portra 400 (Ver. 1)

( If you want an exact digital recreation of Portra 400, I highly recommend Kyle McDougall’s Lightroom preset in favor of using in-camera settings. It will get you far closer! )

  • Film Simulation: Classic Chrome

  • Dynamic Range: Auto (or 200)

  • White Balance: Daylight (or Auto); Red: 2; Blue: -5

  • Color Chrome Blue: Weak

  • Color Chrome: Strong

  • Highlight Tone: -2

  • Shadow Tone: -2

  • Color: 0

  • Sharpness: +2

  • Clarity: Between 0 and -5

  • Grain: Small, Weak


Not Quite Portra 400 (Ver. 2)

  • Film Simulation: Classic Chrome

  • Dynamic Range: 400

  • White Balance: 5200K; Red: 1; Blue: -3

  • Color Chrome Blue: Weak

  • Color Chrome: Strong

  • Highlight Tone: -2

  • Shadow Tone: -2

  • Color: 0

  • Sharpness: 0

  • Clarity: -4

  • Grain: Small, Weak


Not Exactly Portra 800

( If you want an exact digital recreation of those Portra tones, again I highly recommend Kyle McDougall’s Lightroom preset. )

  • Film Simulation: Classic Chrome

  • Dynamic Range: 400

  • White Balance: Auto; Red: 4; Blue: -6

  • Color Chrome Blue: Weak

  • Color Chrome: Strong

  • Highlight Tone: 0

  • Shadow Tone: -2

  • Color: 0

  • Sharpness: +2

  • Clarity: -5

  • Grain: Large, Strong


Faded Kodachrome Slides

  • Film Simulation: Classic Chrome

  • Dynamic Range: 200

  • White Balance: Auto; Red: 1; Blue: -2

  • Color Chrome Blue: Strong

  • Color Chrome: Strong

  • Highlight Tone: +2

  • Shadow Tone: -1

  • Color: -1

  • Sharpness: 0

  • Clarity: 0

  • Grain: Small, Weak